most recent! published: 22/05/2025
Martinů with a happy ending
How did I discover Martinů, the composer ?
Let me think... it was recently, a few months ago, it was "by accident"...
Ah yes, I remember. On a regular basis (roughly once a year?), I catch up with the discography of a few performers that I find exceptional. To see if, by chance and good fortune, they have recorded pieces that I otherwise love. One of my favorite pieces, played by one of my favorite performers, this is the holy grail, and sometimes it happens.
So, a few months ago, I was looking into the recent discography of a few young pianists, whose musicality is in the same vein (but with their own sensitivity) as the famous S. Richter: Beatrice Rana, Anna Vinnitskaya, Bertrand Chamayou, and Andrei Korobeinikov.
Quickly, I stumble upon the sonatas for cello and piano by Bohuslav Martinů, performed by Johannes Moser (cello) and Andrei Korobeinikov (piano).
This is far from my usual favorite pieces, as I have never listened to Martinů, his name only vaguely rings a bell. But this is Korobeinikov playing. So I listen religiously. If there's any underlying magic, it is bound to work.
And bingo! This is really good!
How is it that I never listened to this composer before? given that I enjoy above all the early 20th-century period (Debussy, Ravel, Shostakovich, Prokofiev, ...).
Following this discovery, I start looking into Martinů's work. Ah, [...]